We didnāt lose our inner child. We turned it into ArT Toys and More...with purpose.
šØ Art Toys: A New Artistic Vision Demands a New Way to Exhibit #00003 Art Toy Files
Why Displaying Art Toys Canāt Follow Old Rules ā And What Needs to Change
ART TOY FILES
Sergio Pampliega Campo & Cristina A. del Chicca
Uncovering the Stories, Creators, and Culture Behind #ArTToys
An Art Toy Gama Perspective
āļø A Note Before We Begin
Almost 10 years ago, we wrote an early version of this reflection.
A raw attempt to express something we felt deep in our bones:
that ArTToys deserved more than display cases and hashtags.
And while much has changed, this truth still holds.
Weāve seen countless exhibitions since thenā¦small and large, modest and monumental.
And we love them all.
No matter where they take place or the resources behind them,
every ArT Toy show adds something to the Movement.
Some will make history, others will make Memory. All of them matter.
But even so, we still believe something essential remains to be done:
the definitive exhibition, or rather, the definitive idea of what an ArT Toy exhibition could be, still hasnāt happened.
This is not criticism.
Itās a call.
Because every new show matters.
And something needs to rise that will elevate them all.
####
If we truly believe ArT Toys represent a new artistic vision, then itās time we start treating them as such.
Not just in what we create, collect, or curateā¦
but in how we exhibit.
Exhibitions shouldnāt just show.
They should speak, disturb, connect.
They should build bridges between the inner world of the artist
and the emotional universe of the collector.
But letās be honest: most ArT Toy exhibitions today donāt do that.
Too often, we see cold displays, cluttered shelves, or sterile ācollectionsā
devoid of intention, narrative, or soul.
Just objects on a pedestal.
But this Movement ā our Movement ā deserves more.
š« This is Not Just a Dis(Play)
Itās a Story. A Rebellion. A Memory.
As Maria Kwong said in The Vinyl Generation (Beyond Ultraman, 2007),
"ArT Toys are part of a new artistic vanguard."
So why do we still see them stuck in outdated, traditional exhibition formats?
Displayed like specimens instead of living expressions?
If ArT Toys are a new kind of Art,
then we need a new kind of exhibition.
š„ Dis(Play) is Not Passive.
Itās an active, powerful language.
It deserves spaces that transcend the white cube.
That go beyond sterile contemplation
and invite real interaction, memory, imagination, identity.
Because if we want to reach a wider audience ā¦
collectors, brands, curators, artists, galleries, and future rebels ā¦
we need to speak a new visual language.
A visual experience that invites the viewer
not just to see, but to feel. To question. To remember.
š§ Creativity Means Rethinking the Frame
As John E. Arnold said:
āCreativity is the art of giving a new look to old knowledge.ā
And what better way to honor the rebellion and emotion embedded in ArT Toys
than by creating alternative, immersive exhibition formats
that amplify that message?
Weāre not just exhibiting Art.
Weāre activating something inside the viewer:
Memory. Defiance. Identity.
Weāre bringing Art back into real human experience.
ā” The Potential Is Massive ā And Untapped
Thereās an entire audience out thereā¦
people who donāt yet consume āArt,ā
but who would deeply resonate with the emotional language
of ArT Toys, if only given the chance.
A public whoās never been invited into an Exhibition
that felt like it spoke their language.
Who doesnāt want another clean gallery,
but a visceral, curated experience.
And thatās our opportunity.
To invite them in. To show them that ArT Toys
arenāt just aesthetic;
theyāre expressive, ambiguous, even subversive.
As Paul Budnitz (Kidrobot) said in I Am Plastic Too:
"These are artworks with tenderness and ambiguity.
Objects that whisper ā or scream ā the artistās inner world."
š Whatās the Future of Exhibiting ArT Toys?
Itās a space where the visitor matters.
Where the layout isnāt just to Dis(Play) ,
but to trigger dialogue.
Where Identity, Memory, and Story take center stage.
Where Excellence doesnāt mean prestige,
it means authenticity, emotional charge, and relevance.
Itās about creating environments that mirror what the Movement stands for:
Disruption. Memory. Identity. Rebellion. Legacy.
At Art Toy Gama, we believe that curating, collecting, and exhibiting
shouldnāt replicate the past.
It should rewrite the script.
š§© Letās Redefine the Way We Exhibit. Together.
We believe Exhibitions should be more than events.
They should be stages where Identity performs live.
Spaces where Artists, Brands, Galleries, Collectors, Curators, and Shops
all converge to turn Memory into Movement.
Because this isnāt decoration.
This is Dis(Play) .
And it matters.
š„ Want to experience exhibitions that actually speak back?
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ā Or [EXPLORE THE SHOP]
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Originally shared on our Tumblr blog in [December, 2015], this is a renewed versionābecause while time moves on, some stories still matter.
The First and Only Art Toy Newsletter Society in the World here: https://emails.arttoygama.com/l/email-subscription
Art Toys. Paintings. Fine Art Prints. Not what You expect.
Real collectors don't follow trendsāthey redefine them
We didnāt lose our inner child. We turned it into Art.
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