We didnât lose our inner child. We turned it into ArT Toys and More...with purpose.
đˇ Of Wines, ArT Toys in Spain & Hidden Truths
The ArT Toy Exhibition that United Art Toy Gama Collective... and What Almost Broke Us. A Story about Art Toys, Wines and lies #00005 Art toy Gama Diaries
ART TOY GAMA DIARIES
Sergio Pampliega Campo & Cristina A. del Chicca
Chronicles & Confesional Legacy.
The Story behind Art Toy Gama Collective
The other day, we read a Story in a Newsletter we love: one of those stories that stops you mid-scroll and makes you feel something bigger.
In 1927, eleven winemakers in PeĂąafiel, Spain, decided to do something no one had done before:
create a winery to showcase the quality of their regionâs wine.
They called it Protos, Greek for âthe first.â And they were.
Years later, when the official designation Ribera del Duero was created, they gave up the name âRibera del Dueroâ to the governing council; for the good of all.
They chose community over ego.
Long-term vision over short-term pride.
And the question at the end was clear:
How often do we see something like that today?
Not often.
But we did.
In 2014. In Tolosa. With ArT Toys.
đ¤ Cristina Gave Up Her Show. And That Changed Everything.
That same year, Cristina A. del Chicca had been offered a solo show at GKo Gallery. It was meant to be a deep dive into her world; a showcase of her characters, her process, her brand Mageritdoll.
But something had just begun:
Art Toy Gama.
A few months before, we (Cristina and Sergio) had shared the idea of creating not just an artist Brand, not just a Store, but an artistic and professional Collective, a platform, a Movement. One that gave the ArT Toy Scene the voice, the respect, and the visibility it deserved.
We didnât want to go alone.
So Cristina did what most wouldnât:
she gave up her solo spotlight to create a collective spotlight.
To turn a solo show into a Group Exhibition.
To make room for others.
She chose the long road. The harder one.
The better one.
đś But Good Intentions Don't Always Lead to Good Reactions.
Back then, we had a clear idea: build a real, professional Art Toy Collective and Movement, born in the Basque Country, Spain, connected globally, and committed to a standard of artistic and ethical excellence.
We spoke with other artists in Spain.
People we respected.
People we admired.
We even traveled to meet some in person.
Shared the plan. The vision. The heart behind it.
And it failed.
Completely.
They didnât believe in us.
Worse; they didnât want us in their circle.
Some of them banded together and built something of their own; without us, without conversation, and sometimes, against us.
Thatâs okay. Thatâs life.
But what hurt most was the dishonesty. The whispering. The âfriendlyâ smiles that werenât so friendly after all.
Even during that first exhibition in November 2014, titled
"The Truth of Pinocchio: A Different Way of Telling Tales",
we could feel the questions behind the smiles of these Spanish artists whom we thought were friends:
âWho are these other artists Youâve invited?â
âWhy do they get to be part of the Collective?â
âWhatâs Your real plan with them?â
That unease⌠stuck with us.
And it taught us.
And the truth is, the energy they were putting out was bad; really bad.
In the weeks that followed, it became clear they didnât like our plans⌠or us.
But they were never direct about it.
Instead, they whispered, they questioned, they talked behind peopleâs backs,
the kind of talk that poisons a room before anyone notices.
And honestly⌠what for?
đ Not Everyone Wants You to Build Something Real.
What we eventually realized is that there are people whoâŚ
Some want to keep things small.
Safe. Familiar.
A circle of friends, not a Movement.
And the truth is, itâs often the most insecure ones who end up dragging down othersâŚ
people who youâd think were smarter, or had a broader vision.
The fact is:
we werenât here to make a group chat.
We were here to make a cultural shift.
And most of the ones who doubted us?
Theyâre not around anymore.
They never believed in the long game.
And even some of those artists â the ones we first shared our vision with â went on to form their own Collective shortly after.
Curiously, it didnât last long. One by one, they faded out.
Because building a team takes time.
Nothing comes for free; everything demands effort if you want to do it right.
đ ď¸ Who Stayed?
A few did. And they were enough to build something real:
¡Cristina A. del Chicca, of course.
¡ Judas Arrieta, who was not only open, but enthusiastic.
From Spain, also from Basque Country like us.
¡ Sergio Pampliega Campo...writer of this very post.
¡ And of course, artists we admired from afar and now call friends:
o đ¨đą Antu Bocca Valenzuela (Chile)
o đ¨đ´ IvĂĄn DarĂo Espinel (Colombia)
o đŚđˇ CĂŠsar Zanardi (Argentina)
We all consider ourselves co-founders of this Movement.
And yes, We didnât start with many.
But we started with conviction.
đą The Truth of Pinocchio Wasnât Just a Title. It Was a Metaphor.
Back then, in 2014, the ArT Toy Scene in Spain felt raw. Splintered. Unstable.
Just like our Exhibition set;
built of unfinished wood, like a puppet in progress.
We were carving something imperfect, but honest.
And that honesty is what made it grow.
This is the real truth:
Our beginnings werenât glamorous.
They were hard.
Full of rejection, false promises, and second-hand smiles.
But Cristinaâs decisionâŚ
to share the space, to elevate others, to believe in something bigger,
is what made Art Toy Gama possible.
She didnât choose the easy path.
She chose the Movement.
đŞ Some doors close. Others you build with your own hands.
Weâre sharing this now, just 11 years later,
because every Movement begins in silence.
Not in applause.
Not in likes.
But in the invisible choices that make visible change.
We live in a time where personal gain, personal branding, and short-term wins often dominate the narrative.
But Cristinaâs decision â like those eleven winemakers â wasnât about being first.
It was about being generous enough to open the door for others.
And honestly, that matters even more.
As the quote says:
âWhat we do for ourselves dies with us.
What we do for others remains and is immortal.â
â Albert Pike
đŠ Stay with us. Stay close.
Because what weâre building now still holds that same spirit.
The one that believes in artists. In community. In honesty.
Even when itâs hard. Especially when itâs hard.
đ Subscribe to the Newsletter.
And be part of the next chapter of this imperfect, rebellious, beautiful story.
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