We didnât lose our inner child. We turned it into ArT Toys and More...with purpose.
đŻď¸ Friends from Forgotten Fairytales: When Art Toys Woke Up the Monsters We Once Loved #00001 TNoTToys Publications
The 2014 Kidrobot SF Exhibition That Rewrote What Fairy Tales (and Art Toys) Could Feel Like
TNOTTOYS PUBLICATIONS1000 ICONIC ART TOY EXHIBITIONS
Sergio Pampliega Campo & Cristina A. del Chicca
đ This post is part of an ongoing research series from Art Toy Gamaâs editorial division:
đ This Is Not a Book About Art Toy Exhibitions & ToyCons
Our Upcoming Art Toy Book: 1000 Iconic ArTToy Exhibitions
Once upon a time...the fairytales got tired of being forgotten.
And in May 2014, in a little store with a big legacyâKidrobot San Franciscoâthey came back.
But not as bedtime stories.
As vinyl dreams with scars.
As resin souls dressed in nostalgia and unease.
As ArT Toys.
âFriends from Forgotten Fairytalesâ was not just a group show. It was an open wound in disguise. A visual protest wrapped in magic. A Manifesto from characters that never got their happy ending, and didnât want one.
Hosted by Kidrobot SFâonce the mecca of Western designer toysâthe show gathered 13 artists who didnât play it safe.
Names like Doubleparlour, Drilone, Martin Hsu, Mageritdoll, Salamander, Christina Jung and others, whose styles blurred the lines between grotesque and cute, handmade and haunted, familiar and unplaceable.
It was a truly international lineupâwith artists from the U.S. and Europeâbridging aesthetics from lowbrow surrealism to melancholic pop nostalgia. The ArT Toys presented ranged from original one-offs to limited-edition figures, made in vinyl, resin, and mixed media, showcasing a powerful fusion of craft, storytelling, and emotional contradiction.
This wasnât an Expo about "what looks good on your shelf."
This was about what lives under it.
The ArT Toys shown werenât characters.
They were relics.
Totems of mythologies that never made it to print.
Fragments of childhood dreams reassembled with stitches and stardust.
Every piece felt like a sentence pulled from a book no one remembers reading, but everyone somehow lived through.
From kawaii noir to emotional surrealism, from dark fairytale vinyls to resin sculptures with psychological depth, these werenât just objects.
They were emotional micro-universes.
They didnât ask to be understood.
They asked to be felt.
đ Why It Mattered
In a world still figuring out what ArT Toys could be, Friends from Forgotten Fairytales drew a line in the sand:
ArT Toys are not Trends.
Theyâre cultural punctuation marks.
And this show became a turning point: where the West began embracing a new visual language of personal mythology, discomfort, and Memory.
It was also the first international exhibition for one of ArT Toy Gamaâs co-founders, Cristina A. del Chicca, then showing as Art Toy Maison, with her Mageritdoll resin figure.
And yesâŚthis connection was born through social media.
Before it was called a Movement, Art Toy Gama was already a constellationâ scattered voices, quietly aligning into one rebellion.
And as an extra highlight for collectors and historians alike, the exhibition also featured the entire Kidrobot mascot collection by Salamander: a tribute to the very icon that helped shape the visual identity of the Western Art Toy Movement.
đ§Ź Legacy & Mutation
Kidrobotâfounded in 2002 by Paul Budnitz, inspired by a trip through Asiaâwasnât just a brand. It was a cultural transmission center.
Its SF store at 1512 Haight Street was more than a gallery. It was a portal. A place where toys were never toys. They were messengers.
And when the original Kidrobot store closed, something else was born in its place:
Woot Bear. A hybrid gallery-retail space that became the rebellious heir of that legacy.
Not just selling collectibles: curating culture.
Because this is what happens when a movement refuses to die.
It mutates.
It reinvents.
It Dis(Play).
Woot Bear is the rebellious child that survived the ghost of Kidrobot.
A space that doesnât just collect ArT Toys: it celebrates them.
A new chapter in the living, breathing story of the ArT Toy Movement.
And like the exhibition itself, even the POSTER became part of the narrative.
With its handwritten fairytale typography, a retro-childlike aesthetic clashing beautifully against a backdrop of electric magenta and blackâŚ
it felt less like a promotional piece and more like a doorway.
A visual spell.
Featuring all 13 characters from the show: each one peering out like they knew something youâd forgotten:
the design paid homage to DIY street flyers and underground visual culture.
A fitting invitation to a show that was never meant to decorate walls...
but to haunt your memory.
đŻ Final Thought from Art Toy Gama
At Art Toy Gama, we say it often:
âCollecting isnât about owning things.
Itâs about showing the world who You refuse to forget.â
Friends from Forgotten Fairytales reminded us why we collect, why we sculpt, and why we never stopped believing in the monsters that once protected us.
Because this wasnât just a group showâŚ
it was one of the first collective exhibitions in the U.S. to consolidate a very specific aesthetic:
the mutated fairytale, the corrupted childhood, the ArT Toy that refuses to be forgotten.
Each piece wasnât just an object, it was a mirror of the unspoken,
a visual echo of what we feel but canât always explain.
These werenât just toys.
They were Stories that survived extinction.
đ§ Still collecting whatâs popular? Or are You ready to collect what matters?
đ Step into the Movement that makes memory visible.
đŻ Explore the Art Toy Gama Store â where forgotten fairytales are just the beginning.
Join The First and Only Art Toy Newsletter Society in the World here: https://emails.arttoygama.com/l/email-subscription
#1000IconicArTToyExhibitions
Weâre currently building an Upcoming Publication that explores and celebrates
the most iconic and influential Art Toy exhibitions around the world.
Each article in this series helps document, reflect, and invite the community
to take part in constructing this cultural archive â one exhibition at a time.
Weâve seen countless exhibitions since then: small and large, modest and monumental.
And we love them all.
No matter where they take place or the resources behind them,
every ArT Toy show adds something to the Movement.
Some will make history, others will make Memory. All of them matter.
This is not just documentation.
This is Dis(Play) in the making.
And Youâre part of it.
Art Toy Gama Legacy
#ArTToyGamaLegacy
Art Toys. Paintings. Fine Art Prints. Not what You expect.
Real collectors don't follow trendsâthey redefine them
We didnât lose our inner child. We turned it into Art.
You collecting, or just hoarding what the algorithm spoon-feeds you?
contact
Š 2025. All rights reserved.








